Milton, Plate 10 [11], (E 104)
"Every thing in Eternity shines by its own Internal light: but thou
Darkenest every Internal light with the arrows of thy quiver
Bound up in the horns of jealousy to a deadly fading Moon
And Ocalythron binds the Sun into a Jealous Globe
That every thing is fixd Opake without Internal light
So Los lamented over Satan, who triumphant divided the Nations"
Jerusalem, PLATE 54, (E 203)
"In Great Eternity, every particular Form gives forth or Emanates
Its own peculiar Light, & the Form is the Divine Vision
And the Light is his Garment This is Jerusalem in every Man
A Tent & Tabernacle of Mutual Forgiveness Male & Female Clothings.
And Jerusalem is called Liberty among the Children of Albion"
Four Zoas, Night V, Page 61, (E 341)
"His eyes the lights of his large soul contract or else expand
Contracted they behold the secrets of the infinite mountains
The veins of gold & silver & the hidden things of Vala
Whatever grows from its pure bud or breathes a fragrant soul
Expanded they behold the terrors of the Sun & Moon
The Elemental Planets & the orbs of eccentric fire"
Letters, To Hayley, (E 756)
"Suddenly,
on the day after visiting the Truchsessian Gallery of pictures, I
was again enlightened with the light I enjoyed in my youth, and
which has for exactly twenty years been closed from me as by a
door and by window-shutters. Consequently I can, with
confidence, promise you ocular demonstration of my altered state
on the plates I am now engraving after Romney, whose spiritual
aid has not a little conduced to my restoration to the light of
Art.
A clear account of seeing not an objective
thing but the intrinsic reality which underlies surface
appearance is found in Robert Pirsig's novel Lila.
Pirsig named the philosophy of Phaedrus Dynamic Quality. The
exterior static constructs of the left brain fail to provide
the flexible perspective which recognizes goodness as it
appears in all its aspects.
Robert Pirsig's second novel: read Lila as pdf
Passage from the end of chapter 26:
"Once
when Phaedrus was standing in one of the galleries of the Boston Museum
of Fine Arts, he saw on one wall a huge painting of the Buddha and
nearby were some paintings of Christian saints. He noticed again
something he had thought about before. Although the Buddhists and
Christians had no historic cont act with one another they both painted
halos. The halos weren't the same size. The Buddhists painted great big
ones, sometimes surrounding the person's whole body, while the Christian
ones were smaller and in back of the person's head or over it. It
seemed to mean the two religions weren't copying one another or they
would have made the halos the same size. But they we re both painting
something they were seeing separately, which implied that that
'something' they were painting had a real, independent existence.
Then as Phaedrus was thinking this he noticed one painting in the
corner and thought, There. What the others are just painting
symbolically he is actually showing. They're seeing it second-hand. He's
seeing it first hand.
It was a painting of Christ with no halo
at all. But the clouds in the sky behind his head were slightly lighter
near his head than farther away. And the sky near his head was lighter
too. That was all. But that was the real illumination, no objective
thing at all, just a shift in intensity of light. Phaedru stepped up to
the canvas to read the name-plate at the bottom. It was El Greco again.
Our culture immunizes us against giving much importance to all this
because the light has no 'objective' reality. That means it's just some
'subjective' and therefore unreal phenomenon. In a Metaphysics of
Quality, however, this light is important because it often appears
associated with undefined auspiciousness, that is, with Dynamic Quality.
It signals a Dynamic intrusion upon a static situation. When there is a
letting go of static patterns the light occurs. It is often accompanied
by a feeling of relaxation because static patterns have been jarred
loose. He thought it was probably the light that infants see when their
world is still fresh and whole, before consciousness differentiates it
into patterns; a light into which everything fades at death. Accounts of
people who have had a 'near death experience' have referred to this
'white light' as something very beautiful and compelling from which they
didn't want to return. The light would occur during the breakup of the
static patterns of the person's intellect as it returned into the pure
Dynamic Quality from which it had emerged in infancy.
During
Phaedrus' time of insanity when he had wandered freely outside the
limits of cultural reality, this light had been a valued companion,
pointing out things to him that he would otherwise have missed,
appearing at an event his rational thought had indicated was
unimportant, but which he would later discover had been more important
than he had known. Other times it had occurred at events he could not
figure out the importance of, but which had left him wondering.
He saw it once on a small kitten. After that for a long time the kitten
followed him wherever he went and he wondered if the kitten saw it too.
He had seen it once around a tiger in a zoo. The tiger had
suddenly looked at him with what seemed like surprise and had come over
to the bars for a closer look. Then the illumination began to appear
around the tiger's face. That was all. Afterward, that experience
associated itself with William Blake's 'Tiger! Tiger! burning bright.'
The eyes had blazed with what seemed to be inner light."
Luke 11
[33] No man, when he hath lighted a candle, putteth it in a
secret place, neither under a bushel, but on a candlestick, that
they which come in may see the light.
[34] The light of the body is the eye: therefore when
thine eye is single, thy whole body also is full of light;
but when thine eye is evil, thy body also is full of darkness.
[35] Take heed therefore that the light which is in thee be
not darkness.
[36] If thy whole body therefore be full of light, having
no part dark, the whole shall be full of light, as when the
bright shining of a candle doth give thee light.
John 5
[33]
Ye sent unto John, and he bare witness unto the truth.
[34]
But I receive not testimony from man: but these things I say,
that ye might be saved.
[35]
He was a burning and a shining light: and ye were willing
for a season to rejoice in his light.
[36]
But I have greater witness than that of John: for the works
which the Father hath given me to finish, the same works that
I do, bear witness of me, that the Father hath sent me.
[5] And the light shineth in darkness; and the darkness comprehended it not.
[6] There was a man sent from God, whose name was John.
[7] The same came for a witness, to bear witness of the Light, that all men through him might believe.
[8] He was not that Light, but was sent to bear witness of that Light.
[9] That was the true Light, which lighteth every man that cometh into the world.
[13] And they say unto her, Woman, why weepest thou? She saith unto them, Because they have taken away my Lord, and I know not where they have laid him.
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