Blake seeks to provide the Golden String which can lead us through the labyrinth of our experience or his own poetry.

Sunday, April 17, 2016

IMAGES OF CHRIST 6



British Museum       Illustrations to Young's Night Thoughts
Not all images are visual ones. Blake obviously created verbal images as well. Jesus created images by speaking in parables. Parables produce mental images which lodge in the mind and surface as thoughts, emotions or actions. We move today to an image of Christ created by Jesus in a parable and illustrated by Blake in his watercolors for Night Thoughts. The Parable of the Prodigal is found only in the 15th chapter of the Gospel of Luke.

Blake discerned that a major theme of the ministry of Jesus was the concept of forgiveness. Blake made forgiveness a major theme of his poetry as well.
Songs and Ballads, My Spectre, (E 476)
"& Throughout all Eternity 
I forgive you you forgive me
As our dear Redeemer said                              
This the Wine & this the Bread"

Jerusalem, Plate 7, (E 149)
"O holy Generation! [Image] of regeneration!     
O point of mutual forgiveness between Enemies!
Birthplace of the Lamb of God incomprehensible!"

Gates of Paradise, Prologue, (E 259)
"Mutual Forgiveness of each Vice
Such are the Gates of Paradise"

Everlasting Gospel, Notes, (E 876)
     "It was when Jesus said to Me
     Thy Sins are all forgiven thee
     The Christian trumpets loud proclaim
     Thro all the World in Jesus name
     Mutual forgiveness of each Vice
     And oped the Gates of Paradise"
Jesus' parable emphasizes the compassion and forgiveness which the father offered to his son who had chosen to dissociate himself from his family, home and childhood. Left unsaid in the parable is the reasons that compelled younger son to engage in his journey of exploration. Implicit in the decision of the boy to return is his willingness to turn back to the situation which had he had left. He had to forgive the father whom he had rejected by leaving. Forgiveness to Blake and to Jesus is mutual, not one-sided. Both the father and son sought to be forgiven as well as to forgive.
 
Luke 15
[10] Likewise, I say unto you, there is joy in the presence of the angels of God over one sinner that repenteth.
[11] And he said, A certain man had two sons:
[12] And the younger of them said to his father, Father, give me the portion of goods that falleth to me. And he divided unto them his living.
[13] And not many days after the younger son gathered all together, and took his journey into a far country, and there wasted his substance with riotous living.
[14] And when he had spent all, there arose a mighty famine in that land; and he began to be in want.
[15] And he went and joined himself to a citizen of that country; and he sent him into his fields to feed swine.
[16] And he would fain have filled his belly with the husks that the swine did eat: and no man gave unto him.
[17] And when he came to himself, he said, How many hired servants of my father's have bread enough and to spare, and I perish with hunger!
[18] I will arise and go to my father, and will say unto him, Father, I have sinned against heaven, and before thee,
[19] And am no more worthy to be called thy son: make me as one of thy hired servants.
[20] And he arose, and came to his father. But when he was yet a great way off, his father saw him, and had compassion, and ran, and fell on his neck, and kissed him.
[21] And the son said unto him, Father, I have sinned against heaven, and in thy sight, and am no more worthy to be called thy son.
[22] But the father said to his servants, Bring forth the best robe, and put it on him; and put a ring on his hand, and shoes on his feet:
[23] And bring hither the fatted calf, and kill it; and let us eat, and be merry:
[24] For this my son was dead, and is alive again; he was lost, and is found. And they began to be merry.

Blake did not make a major picture to illustrate the Prodigal son. However Samuel Palmer related a recollection of Blake which indicated that Blake had a deep emotional response to the story. The importance to Blake of forgiving and being forgiven was evident in his tears when he focused on the father and son being reunited after their alienation. This quote is included in William Blake (Bloom's Classic Critical Views) by Harold Bloom: 
 
"Nor was the mouth less expressive; the lips flexible and quivering with feeling. I can yet recall it when, on one occasion, dwelling on the exquisite beauty of the parable of the Prodigal, he began to repeat a part of it; but as the words "When he was a great way off, his father saw him," could go no no farther; his voice faltered, and he was in tears."
 
Jerusalem, Plate 61,(E 211)   
"Saying, Doth Jehovah Forgive a Debt only on condition that it shall   
Be Payed? Doth he Forgive Pollution only on conditions of Purity 
That Debt is not Forgiven! That Pollution is not Forgiven 
Such is the Forgiveness of the Gods, the Moral Virtues of the   
Heathen, whose tender Mercies are Cruelty. But Jehovahs Salvation   
Is without Money & without Price, in the Continual Forgiveness of Sins 
In the Perpetual Mutual Sacrifice in Great Eternity! for behold! 
There is none that liveth & Sinneth not! And this is the Covenant 
Of Jehovah: If you Forgive one-another, so shall Jehovah Forgive You: 
That He Himself may Dwell among You."
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Saturday, April 16, 2016

IN MY DREAMS

Larry posted this to another blog on September 22, 2010.

British Museum I take away from thee the Desire of thine Eyes
1794
Catherine Blake said her only problem with her husband was that he spent too much time in Heaven. In our dreams we may be closer to Blake's Heaven than is possible in our waking hours. Some day we may realize that where we live now is largely vaporous.

Dream sequence:

The other day I had dinner with Blake, and I asked him if he had said all he had to say by 1828. He said "'pretty much', 'pretty much', especially if you've experienced all the words and pictures that I left behind."

I asked him if there was anything more he would like to tell us now from his present life. He said, "Oh yes, a great deal; but I've experienced nothing that your corporeal mind would find meaningful." He went on to say that where he now lived and what he now knew was separated from me by a great chasm, much like the one between Lazarus in Abraham's bosom and Dives.

He reminded me of Paul's experience in the Third Heaven where "He heard unspeakable words, which it is not lawful for a man to utter".


I asked Blake if he had recently come in contact with Isaiah or Ezekiel. He said that Ezekiel and he had become bosom buddies, "We laughed together over the peculiar directive that Ezekiel had received from God." He also told Ezekiel that that affair had meant a lot to him and given him a vivid awareness of the "perception of the infinite". (MHH13, E39)

Blake went on to say that in due course, at the acceptable time, he would be glad to introduce me to Ezekiel or to anyone else I desired to meet. He also would arrange a tennis match for me with Kenny Rosewall.

I was just about to make further requests when the alarm clock sounded, and I was aroused from my Heavenly Vision or perhaps I went back to the corporeal sleep.

.
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Wednesday, April 13, 2016

IMAGES OF CHRIST 5

Yale Center for British Art Jerusalem
Plate 76
The second image of Christ in Jeusalem, like the first, is of Jesus and Albion. It is something of a reversal of the first image for Jesus is at the depth of degradation as he hangs helplessly on a Druiadic oak of suffering. Albion standing and facing Jesus spreads his arms in a posture of rejoicing rather than despair. Albion who had been in the depths has been raised to the heights, and Jesus who had been at the height of his ministry has reached the nadir of rejection.

Stuart Curran states in Blake's Sublime Allegory that:
"Only once in Jerusalem does Blake epitomize his meaning simply and totally upon a single plate. On the full page illumination on Plate 76 {36}, Albion stretches his arms wide in unconscious sympathy, contemplates the crucified Christ. The structure of Jerusalem continually returns its participants - Albion, Los, Blake, the reader - to this essential symbol until our contemplation attains the visionary penetration that transforms the pathos of suffering humanity into the sublime of willing self-annihilation." (Page 346)

Although we can apply all that Blake has been teaching about God and Humanity to understanding this picture, the appropriate response to the image is not analysis but contemplation.

Jerusalem, Plate 24, (E 169)
[Albion speaks]
"O Jerusalem Jerusalem I have forsaken thy Courts
Thy Pillars of ivory & gold: thy Curtains of silk & fine
Linen: thy Pavements of precious stones: thy Walls of pearl
And gold, thy Gates of Thanksgiving thy Windows of Praise:       
Thy Clouds of Blessing; thy Cherubims of Tender-mercy
Stretching their Wings sublime over the Little-ones of Albion
O Human Imagination O Divine Body I have Crucified
I have turned my back upon thee into the Wastes of Moral Law:"
Four Zoas, Night VIII, PAGE 107 [115], (E 381)
"Jerusalem pitying them wove them mantles of life & death
Times after times And those in Eden sent Lucifer for their Guard
Lucifer refusd to die for Satan & in pride he forsook his charge
Then they sent Molech Molech was impatient They sent
Molech impatient They Sent Elohim who created Adam
To die for Satan Adam refusd but was compelld to die
By Satans arts. Then the Eternals Sent Shaddai
Shaddai was angry Pachad descended Pachad was terrified
And then they Sent Jehovah who leprous stretchd his hand to Eternity
Then Jesus Came & Died willing beneath Tirzah & Rahab" 
Hebrews 9
[24] For Christ is not entered into the holy places made with hands, which are the figures of the true; but into heaven itself, now to appear in the presence of God for us:
[25] Nor yet that he should offer himself often, as the high priest entereth into the holy place every year with blood of others;
[26] For then must he often have suffered since the foundation of the world: but now once in the end of the world hath he appeared to put away sin by the sacrifice of himself.
[27] And as it is appointed unto men once to die, but after this the judgment:
[28] So Christ was once offered to bear the sins of many; and unto them that look for him shall he appear the second time without sin unto salvation.

 
The Wesley brothers were older contemporaries of William Blake. John and Charles Wesley were both ministers and poets who composed hymns of faith. Blake shared their love of music and their willingness to express enthusiasm - the emotional response to religious experience. This hymn by Charles may have been included in the Wesley hymnals which Blake owned and used.
 
1 O Love Divine what hast thou done!
The incarnate God hath died for me!
The Father's co-eternal Son,
Bore all my sins upon the tree!
The son of God for me hath died:
My Lord, my Love, is crucified.

 
2 Behold him, all ye that pass by,
The bleeding Prince of life and peace!
Come, sinners, see your Saviour die,
And say, was ever grief like his 

Come, feel with me his blood applied:
My Lord, my Love, is crucified:

 
3 Is crucified for me and you,
To bring us rebels back to God:
Believe, believe the record true,
Ye all are bought with Jesus' blood:
Pardon for all flows from his side:
My Lord, my Love, is crucified.

 
4 Then let us sit beneath his cross,
And gladly catch the healing stream;
All things for him account but loss,
And give up all our hearts to him:
Of nothing think or speak beside,
My Lord, my Love, is crucified.

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Monday, April 11, 2016

IMAGES OF CHRIST 4



Yale Center for British Art Jerusalem Plate 37
Blake's illuminated books on only a few occasions picture Jesus. There are two images in Jerusalem. On Plate 37 the image on the upper part of the page pictures Albion prostrate in the arms of Jesus. Blake would have been familiar with reproductions of Michelangelo's Pieta which shows the body of Jesus prostrate in the arms of Mary. Blake calls to mind the same agonizing sadness in showing Jesus supporting Albion, as the representative of all mankind, sunk in the despair of disbelief and rebellion.  
 

Jerusalem, Plate 32 [36], (E 179)
"Then those in Great Eternity who contemplate on Death
Said thus.  What seems to Be: Is: To those to whom  It seems to Be, & is productive of the most dreadful  Consequences to those to whom it seems to Be: even of 
Torments, Despair, Eternal Death; but the Divine Mercy
Steps beyond and Redeems Man in the Body of Jesus Amen
And Length Bredth Highth again Obey the Divine Vision Hallelujah
PLATE 33 [37]  And One stood forth from the Divine Family &,said I feel my Spectre rising upon me! Albion! arouze thyself!
Why dost thou thunder with frozen Spectrous wrath against us?
The Spectre is, in Giant Man; insane, and most deform'd.
Thou wilt certainly provoke my Spectre against thine in fury!    
He has a Sepulcher hewn out of a Rock ready for thee:
And a Death of Eight thousand years forg'd by thyself, upon
The point of his Spear! if thou persistest to forbid with Laws
Our Emanations, and to attack our secret supreme delights

So Los spoke: But when he saw blue death in Albions feet, 
Again he join'd the Divine Body, following merciful;
While Albion fled more indignant! revengeful covering"

Jerusalem, Plate 41, (E 189)
"Alas!--The time will come, when a mans worst enemies   
Shall be those of his own house and family: in a Religion
Of Generation, to destroy by Sin and Atonement, happy Jerusalem,
The Bride and Wife of the Lamb. O God thou art Not an Avenger!
PLATE 42
Thus Albion sat, studious of others in his pale disease:
Brooding on evil: but when Los opend the Furnaces before him:
He saw that the accursed things were his own affections,
And his own beloveds: then he turn'd sick! his soul died within him
Also Los sick & terrified beheld the Furnaces of Death           
And must have died, but the Divine Saviour descended
Among the infant loves & affections, and the Divine Vision wept
Like evening dew on every herb upon the breathing ground

Albion spoke in his dismal dreams: O thou deceitful friend
Worshipping mercy & beholding thy friend in such affliction:   
Los! thou now discoverest thy turpitude to the heavens.
I demand righteousness & justice. O thou ingratitude!
Give me my Emanations back[,] food for my dying soul!
My daughters are harlots! my sons are accursed before me.
Enitharmon is my daughter: accursed with a fathers curse!     
O! I have utterly been wasted! I have given my daughters to devils

So spoke Albion in gloomy majesty, and deepest night
Of Ulro rolld round his skirts from Dover to Cornwall."

Jerusalem, Plate 34 [38], (E 180)
"Albion! Our wars are wars of life, & wounds of love,
With intellectual spears, & long winged arrows of thought:       
Mutual in one anothers love and wrath all renewing
We live as One Man; for contracting our infinite senses
We behold multitude; or expanding: we behold as one,
As One Man all the Universal Family; and that One Man
We call Jesus the Christ: and he in us, and we in him,        
Live in perfect harmony in Eden the land of life,
Giving, recieving, and forgiving each others trespasses.
He is the Good shepherd, he is the Lord and master:
He is the Shepherd of Albion, he is all in all,
In Eden: in the garden of God: and in heavenly Jerusalem.        
If we have offended, forgive us, take not vengeance against us.
Thus speaking; the Divine Family follow Albion:
I see them in the Vision of God upon my pleasant valleys." 
The biblical story which represented to Blake the plight of Albion was the account of the raising of Lazarus. Blake's faith that the fall of man did not end in eternal death but in eternal life, was iterated as he explored with Milton the 'ways of God' which led back to Eden. Jesus did not leave Lazarus or Albion in the grave but called them forth to live again.  
 

John 11
[21] Then said Martha unto Jesus, Lord, if thou hadst been here, my brother had not died.
[22] But I know, that even now, whatsoever thou wilt ask of God, God will give it thee.
[23] Jesus saith unto her, Thy brother shall rise again.
[24] Martha saith unto him, I know that he shall rise again in the resurrection at the last day.
[25] Jesus said unto her, I am the resurrection, and the life: he that believeth in me, though he were dead, yet shall he live:
[26] And whosoever liveth and believeth in me shall never die. Believest thou this?
[27] She saith unto him, Yea, Lord: I believe that thou art the Christ, the Son of God, which should come into the world.

 
Lazarus in No Natural Religion 
  Lazarus in Tate Gallery
  Lazarus in Young's Night Thoughts
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Thursday, April 7, 2016

IMAGES OF CHRIST 3



British Museum
Illustrations to Young's Night Thoughts
Watercolor, 1795
Our experience in this world is framed by two doors: birth or the entrance into life and death or the entrance into the grave. But poets encourage us to explore additional meanings to life and death by using the word 'door' symbolically.  

In the Book of Revelation, John of Patmos stated 'Behold, I stand at the door, and knock: if any man hear my voice, and open the door, I will come in to him, and will sup with him, and he with me.' He was inviting his readers to be conscious of an invitation to enter a relationship. His readers subsequently have attached John's invitation to Jesus and portrayed him inviting us to open the door which will allow Christ to transform us.
 
Revelation 3
[19] As many as I love, I rebuke and chasten: be zealous therefore, and repent.
[20] Behold, I stand at the door, and knock: if any man hear my voice, and open the door, I will come in to him, and will sup with him, and he with me.


The writer of the Gospel of John develops the image of the 'door' in a different way. Jesus states that it is the shepherd who enters the door and is recognized by his sheep who follow him. However, Jesus follows the narrative of the parable with an explanation identifying himself with the door. By
passing through Christ men may find salvation, enter and exit, and be fed.

John 10
[1] Verily, verily, I say unto you, He that entereth not by the door into the sheepfold, but climbeth up some other way, the same is a thief and a robber.
[2] But he that entereth in by the door is the shepherd of the sheep.
[3] To him the porter openeth; and the sheep hear his voice: and he calleth his own sheep by name, and leadeth them out.
[4] And when he putteth forth his own sheep, he goeth before them, and the sheep follow him: for they know his voice.
[5] And a stranger will they not follow, but will flee from him: for they know not the voice of strangers.
[6] This parable spake Jesus unto them: but they understood not what things they were which he spake unto them.
[7] Then said Jesus unto them again, Verily, verily, I say unto you, I am the door of the sheep.
[8] All that ever came before me are thieves and robbers: but the sheep did not hear them.
[9] I am the door: by me if any man enter in, he shall be saved, and shall go in and out, and find pasture.

Blake was fascinated by the use of the symbol of the 'door' as the transition between mortal life and Eternal life. Man's ability to perceive is a 'door' which may be cleansed to reveal the infinite and eternal. The limited individual perception may be passed through to revel the resurrected possibilities of the spiritual body.

Marriage of Heaven & Hell, Plate 14, (E 39)
 "If the doors of perception were cleansed every thing would
appear  to man as it is: infinite.
   For man has closed himself up, till he sees all things thro'
narrow chinks of his cavern." 
Jerusalem, Plate 62, (E 213)
"Jesus replied. I am the Resurrection & the Life.
I Die & pass the limits of possibility, as it appears
To individual perception. Luvah must be Created                  
And Vala; for I cannot leave them in the gnawing Grave.
But will prepare a way for my banished-ones to return"
The contrary activity of entering the mortal world of decay and death, is passing through the same door in the opposite direction. Los entered the door of Death for the sake of Albion, an echo of Christ entering the mortal body for the sake of humanity.

Jerusalem, Plate 1, (E 144)
"Half Friendship is the bitterest Enmity said Los
As he enterd the Door of Death for Albions sake Inspired
The long sufferings of God are not for ever there is a Judgment" 
When an individual perceives his Immortality, the door between death and life is opened to him. He may enter and exit as John said of the sheepfold in the gospel. But to the awakened man the world of mortality increasingly becomes a dream world - less real than the world on the other side of the door.

Gates of Paradise, The Keys, (E 268)
"13   But when once I did descry 
     The Immortal Man that cannot Die
14   Thro evening shades I haste away 
     To close the Labours of my Day
15   The Door of Death I open found                             
     And the Worm Weaving in the Ground
16   Thou'rt my Mother from the Womb 
     Wife, Sister, Daughter to the Tomb 
     Weaving to Dreams the Sexual strife
     And weeping over the Web of Life"
The grave which is final to the man who sleeps in doubt, is seen to be a Golden Door which opens to heaven's blossoming to those who use the key. Blake's key is the visions which his soul has seen. By illustrating Edward's poem The Grave he has encouraged the reader to open his soul to the vision which flies on wings of imagination.

Songs and Ballads, (E 480)
[Dedication to Blake's Illustrations to Blair's Grave, printed 1808]

             "TO THE QUEEN    
The Door of Death is made of Gold,
That Mortal Eyes cannot behold;
But, when the Mortal Eyes are clos'd,
And cold and pale the Limbs repos'd,
The Soul awakes; and, wond'ring, sees
In her mild Hand the golden Keys:
The Grave is Heaven's golden Gate,
And rich and poor around it wait;
O Shepherdess of England's Fold,
Behold this Gate of Pearl and Gold!        

  To dedicate to England's Queen 
The Visions that my Soul has seen,
And, by Her kind permission, bring 
What I have borne on solemn Wing,
From the vast regions of the Grave,
Before Her Throne my Wings I wave;
Bowing before my Sov'reign's Feet,
"The Grave produc'd these Blossoms sweet
"In mild repose from Earthly strife;
"The Blossoms of Eternal Life!"            

                         WILLIAM BLAKE"

Monday, April 4, 2016

IMAGES OF CHRIST 2



British Museum Songs of Innocence
Copy T, Plate 10
1789
An early image of Christ that Blake created is in the Songs of Innocence which he originally printed in 1789. The illuminated poem The Little Black Boy culminates with an image of Christ with two children - one black and one white. The children are the innocents who are capable of perceiving Christ and entering in communion with one another through their contact with him. The two are freed from their superficial differences to be joined in a mutual relationship of love.
 

Blake's use of the child in the condition of innocence is the image of the ideal man living in harmony with God and his brothers. The child does not stand in judgment of his fellows. He does not refuse the company of Jesus. He does not expect to understand everything that he encounters. He savors the love and care that comes his way. He sees his life as preparation for a life of greater independence and freedom. He accepts the gift of being part of the Divine Family.
 

  A childlike attitude represented to Jesus the appropriate preparation for entering into the Kingdom of God. The child's simple trust deserves recognition as a reflection on the faith which connects man to man, and man to God. Turning away a child is failing to seek the truth of the community of believers. Seeing oneself as a child of God, related to him as one nurtured and loved and brought up with benevolent care, gives one the sense of living in the world of Eternity which extends beyond time. 

Songs of Innocence, SONGS 9, (E 9) 
"The Little Black Boy.
My mother bore me in the southern wild,
And I am black, but O! my soul is white;
White as an angel is the English child:
But I am black as if bereav'd of light.

My mother taught me underneath a tree
And sitting down before the heat of day,
She took me on her lap and kissed me,
And pointing to the east began to say.

Look on the rising sun: there God does live
And gives his light, and gives his heat away.      
And flowers and trees and beasts and men recieve
Comfort in morning joy in the noon day.

And we are put on earth a little space,
That we may learn to bear the beams of love,
And these black bodies and this sun-burnt face      
Is but a cloud, and like a shady grove.
SONGS 10  
For when our souls have learn'd the heat to bear
The cloud will vanish we shall hear his voice.
Saying: come out from the grove my love & care,
And round my golden tent like lambs rejoice.

Thus  did my mother say and kissed me,
And thus I say to little English boy;
When I from black and he from white cloud free,
And round the tent of God like lambs we joy:

Ill shade him from the heat till he can bear,
To lean in joy upon our fathers knee.
And then I'll stand and stroke his silver hair,
And be like him and he will then love me."

A Cradle Song, (E 12)
"Sweet babe in thy face,
Holy image I can trace.
Sweet babe once like thee,
Thy maker lay and wept for me
SONGS 17
Wept for me for thee for all, 
When he was an infant small.
Thou his image ever see,
Heavenly face that smiles on thee.

Smiles on thee on me on all,
Who became an infant small,  
Infant smiles are his own smiles.   
Heaven & earth to peace beguiles." 
Annotations to Berkeley, (E 664)
 "Jesus supposes every Thing to be Evident to the Child & to the Poor & Unlearned Such is the Gospel"
 
Matthew 18
[1] At the same time came the disciples unto Jesus, saying, Who is the greatest in the kingdom of heaven?
[2] And Jesus called a little child unto him, and set him in the midst of them,
[3] And said, Verily I say unto you, Except ye be converted, and become as little children, ye shall not enter into the kingdom of heaven.
[4] Whosoever therefore shall humble himself as this little child, the same is greatest in the kingdom of heaven.
[5] And whoso shall receive one such little child in my name receiveth me.

Mark 10
[13] And they brought young children to him, that he should touch them: and his disciples rebuked those that brought them.
[14] But when Jesus saw it, he was much displeased, and said unto them, Suffer the little children to come unto me, and forbid them not: for of such is the kingdom of God.
[15] Verily I say unto you, Whosoever shall not receive the kingdom of God as a little child, he shall not enter therein.
[16] And he took them up in his arms, put his hands upon them, and blessed them.

Romans 8
[14] For as many as are led by the Spirit of God, they are the sons of God.
[15] For ye have not received the spirit of bondage again to fear; but ye have received the Spirit of adoption, whereby we cry, Abba, Father.
[16] The Spirit itself beareth witness with our spirit, that we are the children of God:
[17] And if children, then heirs; heirs of God, and joint-heirs with Christ; if so be that we suffer with him, that we may be also glorified together.

First John 3
[1] Behold, what manner of love the Father hath bestowed upon us, that we should be called the sons of God: therefore the world knoweth us not, because it knew him not.
[2] Beloved, now are we the sons of God, and it doth not yet appear what we shall be: but we know that, when he shall appear, we shall be like him; for we shall see him as he is.
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Friday, April 1, 2016

IMAGES OF CHRIST

Wikimedia Commons
Large Color Prints
Christ Appearing to the Apostles after the Resurrection


Blake produced this image of Christ as one of the thirteen Large Color Prints which he began in 1795. The import of this image is that it represents the beginning of the transition that the disciples of Christ must make as they adapt to the presence of Christ with them in a spiritual body rather than in a physical body. The resurrected Christ strives to demonstrate that although he has passed through the experience of death and has been changed, he is not a phantom or a ghost but a real presence in a real, though spiritual, body.

The change that occurred in Christ was designed to produce changes in the disciples if they incorporated the presence of Christ into their own psyches. The transformative experience would be perceiving the post-resurrection Christ as alive and active. The disciples are instructed that Christ becomes available to live and act in individuals who receive him into their souls.  


Annotations to Berkley, (E 664)
"The Natural Body is an Obstruction to the Soul or Spiritual
Body"

Songs of Experience, To Tirzah, (E 30)
"Thou Mother of my Mortal part.
With cruelty didst mould my Heart. 
And with false self-decieving tears,
Didst bind my Nostrils Eyes & Ears.

Didst close my Tongue in senseless clay
And me to Mortal Life betray:
The Death of Jesus set me free, 
Then what have I to do with thee?

It is Raised a Spiritual Body" 
Four Zoas, Night VIII, PAGE 104 (SECOND PORTION), (E 378)
"Los said to Enitbarmon Pitying I saw
Pitying the Lamb of God Descended thro Jerusalems gates
To put off Mystery time after time & as a Man
Is born on Earth so was he born of Fair Jerusalem
In mysterys woven mantle & in the Robes of Luvah 

He stood in fair Jerusalem to awake up into Eden
The fallen Man but first to Give his vegetated body    
To be cut off & separated that the Spiritual body may be Reveald"

Annotations to Berkley, (E 663)
  "They also considerd God as abstracted or distinct from the
Imaginative World but Jesus as also Abraham & David considerd God
as a Man in the Spiritual or Imaginative Vision
     Jesus considerd Imagination to be the Real Man & says I will
not leave you Orphanned and I will manifest myself to you   he
says also the Spiritual Body or Angel as little Children always
behold the Face of the Heavenly Father"

There is No Natural Religion, [b], (E 3)
  "VII The desire of Man being Infinite the possession is Infinite
& himself Infinite
     Conclusion,   If it were not for the Poetic or Prophetic
character. the Philosophic & Experimental would soon be at the
ratio of all things & stand still, unable to do other than repeat
the same dull round over again
     Application.   He who sees the Infinite in all things sees
God.  He who sees the Ratio only sees himself only.

Therefore God becomes as we are, that we may be as he is"
Luke 24
[30] And it came to pass, as he sat at meat with them, he took bread, and blessed it, and brake, and gave to them.
[31] And their eyes were opened, and they knew him; and he vanished out of their sight.
[32] And they said one to another, Did not our heart burn within us, while he talked with us by the way, and while he opened to us the scriptures?
[33] And they rose up the same hour, and returned to Jerusalem, and found the eleven gathered together, and them that were with them,
[34] Saying, The Lord is risen indeed, and hath appeared to Simon.
[35] And they told what things were done in the way, and how he was known of them in breaking of bread.
[36] And as they thus spake, Jesus himself stood in the midst of them, and saith unto them, Peace be unto you.
[37] But they were terrified and affrighted, and supposed that they had seen a spirit.
[38] And he said unto them, Why are ye troubled? and why do thoughts arise in your hearts?
[39] Behold my hands and my feet, that it is I myself: handle me, and see; for a spirit hath not flesh and bones, as ye see me have.
[40] And when he had thus spoken, he shewed them his hands and his feet.
[41] And while they yet believed not for joy, and wondered, he said unto them, Have ye here any meat?
[42] And they gave him a piece of a broiled fish, and of an honeycomb.
[43] And he took it, and did eat before them.
[44] And he said unto them, These are the words which I spake unto you, while I was yet with you, that all things must be fulfilled, which were written in the law of Moses, and in the prophets, and in the psalms, concerning me.
[45] Then opened he their understanding, that they might understand the scriptures,

First Corinthians 15
[42] So also is the resurrection of the dead. It is sown in corruption; it is raised in incorruption:
[43] It is sown in dishonour; it is raised in glory: it is sown in weakness; it is raised in power:
[44] It is sown a natural body; it is raised a spiritual body. There is a natural body, and there is a spiritual body.
[45] And so it is written, The first man Adam was made a living soul; the last Adam was made a quickening spirit.

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