Blake seeks to provide the Golden String which can lead us through the labyrinth of our experience or his own poetry.

Monday, March 14, 2011


As you read through posts to our blog, you may noticed themes or threads which run through them. Various ideas resurface in different forms in multiple posts. We are led to do this by following Blake's dominant ideas which are expressed in many guises throughout his works and his lifetime.

As an example I will follow the post on Michelangelo with another mention of him in another context many years after the portrait of Michelangelo was engraved in 1801. In 1826 Blake produced his 'autograph' in the Album of William Upcott. Mr. Upcott made a hobby of collecting autographs of famous men as well as friends and associates. He eventually had a collection of 2069 in 31 volumes. Blake provided more than a simple autograph.

When Blake says at the beginning of his autograph that he is delighted with the company, he may be referring to all the influential people who also signed their autographs. Blake's reference to having died several times intimates that he has been reborn several times as well. Blake indicates that the word 'autograph' should not be used both for something written unconsciously and something done with 'thought & mind'. His own autograph and two others he considers to be 'Works of Art & not of Nature or Chance.'

Finally I get to the connection with Michelangelo. Blake concludes with a sonnet by Michelangelo translated by Wordsworth. But of course it is not just any sonnet but one which conveys Blake's understanding of the connection of the soul of man with the source from which it originates. Blake's autograph is not only words but a visual image as well. The soaring soul seeking the 'Universal Mold' is seen in the youth with arms outstretched (reminiscent of Glad Day): Blake himself released from the garment of the body.

Miscellaneous Prose, (E698)
"WILLIAM BLAKE one who is very much delighted with being in
good Company
Born 28 Novr 1757 in London
& has died several times since
January 16
The above was written & the drawing annexed by the desire of
Mr Leigh how far it is an Autograph is a Question I do not
think an Artist can write an Autograph especially one who has
Studied in the Florentine & Roman Schools as such an one will
Consider what he is doing but an Autograph as I understand it, is
Writ helter skelter like a hog upon a rope or a Man who walks
without Considering whether he shall run against a Post or a
House or a Horse or a Man & I am apt to believe that what is done
without meaning is very different from that which a Man Does with
his Thought & Mind & ought not to be Calld by the Same Name.
I consider the Autograph of Mr Cruikshank which very justly
stands first in the Book & that Beautiful Specimen of Writing by
Mr Comfield & my own; as standing [in] the same Predicament they
are in some measure Works of Art & not of Nature or Chance

Heaven born the Soul a Heavenward Course must hold
For what delights the Sense is False & Weak
Beyond the Visible World she soars to Seek
Ideal Form, The Universal Mold

Michael Angelo. Sonnet as Translated by Mr Wordsworth"

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