Blake seeks to provide the Golden String which can lead us through the labyrinth of our experience or his own poetry.

Sunday, November 24, 2013

THE JOURNEY IX

A young man with his hat in his hand stands before dense vegetation as if he intends to capture the flying human figure who is fleeing from him. At his feet lies another small figure appearing lifeless. If we see the two small figures as female we could interpret the image as an adolescent who has freed himself from a devouring mother and is in pursuit of his anima who would lead him into the next stage of his development. But the caption and the Key to the plate indicate Blake may have been saying something more complex.
British Museum
For the Sexes: Gates of Paradise
Plate 7

For the Sexes: Gates of Paradise, Plate 9, (E 263)
"7 What are these? Alas! the Female Martyr 
     Is She also the Divine Image"  


For the Sexes: Gates of Paradise, Plate 19, (E 268) 
Keys 
"7 One Dies! Alas! the Living & Dead 
     One is slain & One is fled"

The role of the female in Blake is ambivalent because of the differences between life in Eternity and life in the natural world. The image which represents man's Soul or his 'perception of the infinite' in Eternity becomes in the Generative world the force which struggles to prevent him from returning to Eternity. Jerusalem is the most constructive force in man; Jerusalem's shadow Vala is the most destructive.

Vala must die that Jerusalem might live. By doing so she may become the Female Martyr who is the Divine Image. But if Vala were slain, Jerusalem would flee. The two are contraries and complete one another. One of Blake's great insights was the enemy could only be annihilated by accepting it as a brother/sister.

This Plate is early in the journey toward wholeness. The young man is only now learning that by slaying one contrary he will cause the other to flee.


Four Zoas, Night VIII, PAGE 104 (SECOND PORTION), (E 377)
"The war roard round Jerusalems Gates it took a hideous form
Seen in the aggregate a Vast Hermaphroditic form 
Heavd like an Earthquake labring with convulsive groans
Intolerable at length an awful wonder burst
From the Hermaphroditic bosom Satan he was namd
Son of Perdition terrible his form dishumanizd monstrous 
A male without a female counterpart a howling fiend 
Fo[r]lorn of Eden & repugnant to the forms of life
Yet hiding the shadowy female Vala as in an ark & Curtains
Abhorrd accursed ever dying an Eternal death

Being multitudes of tyrant Men in union blasphemous
Against the divine image. Congregated Assemblies of wicked men 

Los said to Enitbarmon Pitying I saw
Pitying the Lamb of God Descended thro Jerusalems gates
To put off Mystery time after time & as a Man
Is born on Earth so was he born of Fair Jerusalem
In mysterys woven mantle & in the Robes of Luvah 

He stood in fair Jerusalem to awake up into Eden
The fallen Man but first to Give his vegetated body  
To be cut off & separated that the Spiritual body may be Reveald"

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