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Yale Center for British Art Jerusalem Plate 87, Copy E
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The separation of Tharmas from his emanation Enion is intimately
bound to the creation of what we perceive as the world of matter.
One way we can envision this is that the consciousness of man
developed to the point where he discriminated between what went on
in own mind, and what was reflected to his mind through his senses
from an outer world of material objects. Blake prefers for us to
envision this as Enion fleeing from Tharmas and becoming the mother
of Time & Space. Tharmas could not reverse the process once it
had begun. Enion was destined to wander sorrowfully outside of the
Eternal world which she and Tharmas had enjoyed before the
separation took place.
Enion seems to be the character who carried the burden of the separation
and descent more than any other. She had lost her connection with the
inner world when she became alienated from Tharmas. Her children
withdrew from her and formed from her substance a world she could not
enter. Her response was to speak laments which articulated the condition
of humanity in a world without consciousness of Eternity.
Four Zoas, Night I, Page 4, (E 301)
"Begin with Tharmas Parent power. darkning in the West
Lost! Lost! Lost! are my Emanations Enion O Enion
We are become a Victim to the Living We hide in secret
I have hidden Jerusalem in Silent Contrition O Pity Me
I will build thee a Labyrinth also O pity me O Enion
Why hast thou taken sweet Jerusalem from my inmost Soul
Let her Lay secret in the Soft recess of darkness & silence
It is not Love I bear to [Jerusalem] It is Pity
She hath taken refuge in my bosom & I cannot cast her out.
The Men have recieved their death wounds & their Emanations are fled
To me for refuge & I cannot turn them out for Pitys sake
Enion said--Thy fear has made me tremble thy terrors have surrounded me
All Love is lost Terror succeeds & Hatred instead of Love
And stern demands of Right & Duty instead of Liberty.
Once thou wast to Me the loveliest son of heaven--But now
Why art thou Terrible and yet I love thee in thy terror till
I am almost Extinct & soon shall be a Shadow in Oblivion
Unless some way can be found that I may look upon thee & live
Hide me some Shadowy semblance. secret whispring in my Ear
In secret of soft wings. in mazes of delusive beauty
I have lookd into the secret soul of him I lovd
And in the Dark recesses found Sin & cannot return
Trembling & pale sat Tharmas weeping in his clouds"
Four Zoas, Night I, PAGE 8, (E 304)
"Till with fierce pain she brought forth on the rocks her sorrow & woe
Behold two little Infants wept upon the desolate wind.
The first state weeping they began & helpless as a wave
Beaten along its sightless way growing enormous in its motion to
Its utmost goal, till strength from Enion like richest summer shining
Raisd the bright boy & girl with glories from their heads out beaming
Drawing forth drooping mothers pity drooping mothers sorrow
They sulk upon her breast her hair became like snow on mountains
Weaker & weaker, weeping woful, wearier and wearier
Faded & her bright Eyes decayd melted with pity & love
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And then they wanderd far away she sought for them in vain
In weeping blindness stumbling she followd them oer rocks & mountains
Rehumanizing from the Spectre in pangs of maternal love
Ingrate they wanderd scorning her drawing her Spectrous Life
Repelling her away & away by a dread repulsive power
Into Non Entity revolving round in dark despair.
And drawing in the Spectrous life in pride and haughty joy
Thus Enion gave them all her spectrous life
Then Eno a daughter of Beulah took a Moment of Time
And drew it out to Seven thousand years with much care & affliction
And many tears & in Every year made windows into Eden
She also took an atom of space & opend its center
Into Infinitude & ornamented it with wondrous art
Astonishd sat her Sisters of Beulah to see her soft affections
To Enion & her children & they ponderd these things wondring
And they Alternate kept watch over the Youthful terrors
They saw not yet the Hand Divine for it was not yet reveald
But they went on in Silent Hope & Feminine repose
But Los & Enitharmon delighted in the Moony spaces of Eno"
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Four Zoas
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Four Zoas, Night VIII, PAGE 114 [110], (E 385)
"He touches the remotest pole & in the Center weeps
That Man should Labour & sorrow & learn & forget & return
To the dark valley whence he came to begin his labours anew
In pain he sighs in pain he labours in his universe
Screaming in birds over the deep & howling in the Wolf
Over the slain & moaning in the cattle & in the winds
And weeping over Orc & Urizen in clouds & flaming fires
And in the cries of birth & in the groans of death his voice
Is heard throughout the Universe whereever a grass grows
Or a leaf buds The Eternal Man is seen is heard is felt
And all his Sorrows till he reassumes his ancient bliss
Such are the words of Ahania & Enion. Los hears & weeps"
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