|National Portrait Gallery Oil Portrait by Thomas Phillips 1807|
The only formal portrait of William Blake was painted by Thomas Phillips in 1807. It is uncertain if the work was as a result of friendship between Phillips and Blake or in conjunction with Cromek's proposed publication of Blair's The Grave with illustrations by Blake. As it turned out Blake did not engrave the illustrations he had painted for Cromek's publication but his portrait was included prominently as the frontispiece.
The Phillips portrait resides in the National Portrait Gallery in London. Cromek had the engraving of Blake's portrait done by Luis Schiavonetti whom he also hired to engrave Blake's images.
|British Museum Luis Schiavonetti Engraving|
|Published book The Grave National Gallery of Victoria|
Morgan Library and Museum
Watercolor Copy from Butts Collection
Blake Portrait by Phillips
Milton, Plate 21 , (E 115) "But I knew not that it was Milton, for man cannot know What passes in his members till periods of Space & Time Reveal the secrets of Eternity: for more extensive Than any other earthly things, are Mans earthly lineaments." Milton, Plate 32 , (E 132) "And thou O Milton art a State about to be Created Called Eternal Annihilation that none but the Living shall Dare to enter: & they shall enter triumphant over Death And Hell & the Grave! States that are not, but ah! Seem to be. Judge then of thy Own Self: thy Eternal Lineaments explore
What is Eternal & what Changeable? & what Annihilable!" Jerusalem, Plate 38 , (E 185) "Divine- Humanity, who is the Only General and Universal Form To which all Lineaments tend & seek with love & sympathy All broad & general principles belong to benevolence Who protects minute particulars, every one in their own identity." Descriptive Catalogue, (E 530) "CLEARNESS and precision have been the chief objects in painting these Pictures. Clear colours unmudded by oil, and firm and determinate lineaments unbroken by shadows, which ought to display and not to hide form, as is the practice of the latter Schools of Italy and Flanders." Descriptive Catalogue,(E 541) "He who does not imagine in stronger and better lineaments, and in stronger and better light than his perishing mortal eye can see does not imagine at all. The painter of this work asserts that all his imaginations appear to him infinitely more perfect and more minutely organized than any thing seen by his mortal eye." Vision of Last Judgment, (E 560) "I intreat then that the Spectator will attend to the Hands & Feet to the Lineaments of the Countenances they are all descriptive of Character & not a line is drawn without intention & that most discriminate & particular as Poetry admits not a Letter that is Insignificant so Painting admits not a Grain of Sand or a Blade of Grass Insignificant much less an Insignificant Blur or Mark"