Blake seeks to provide the Golden String which can lead us through the labyrinth of our experience or his own poetry.

Saturday, April 5, 2025

FRIENDS OF ALBION

A Blake Dictionary
S Foster Damon
Cathedral Cities

William Blake’s drawings of Westminster Abbey
                            Countess Aveline tomb

In Jerusalem Blake intoduced the 28 catherdal cities when Albion had turned away from the Divine Vision. Albion was the symbol Blake used to represent Britain, his beloved homeland which was enduring multiple threats including war and famine. Within Britain were her Cathedral Cities, remnats of her past attempts at providing spiritual sustenance to sustain her when threats arose. Each City was associated with individuals and events from current or past history.

Jerusalem, Plate 35 [39], (E 181)
"Los was the friend of Albion who most lov'd him. In Cambridgeshire
His eternal station, he is the twenty-eighth, & is four-fold.
Seeing Albion had turn'd his back against the Divine Vision,
Los said to Albion, Whither fleest thou? Albion reply'd.         

I die! I go to Eternal Death! the shades of death
Hover within me & beneath, and spreading themselves outside
Like rocky clouds, build me a gloomy monument of woe:
Will none accompany me in my death? or be a Ransom for me
In that dark Valley? I have girded round my cloke, and on my feet

Bound these black shoes of death, & on my hands, death's iron gloves:
God hath forsaken me, & my friends are become a burden
A weariness to me, & the human footstep is a terror to me.

Los answerd, troubled: and his soul was rent in twain:
Must the Wise die for an Atonement? does Mercy endure Atonement? 
No! It is Moral Severity, & destroys Mercy in its Victim.
So speaking, not yet infected with the Error & Illusion,

Jerusalem, Plate 36 [40], (E 181)
"Los shudder'd at beholding Albion, for his disease
Arose upon him pale and ghastly: and he call'd around
The Friends of Albion: trembling at the sight of Eternal Death
The four appear'd with their Emanations in fiery
Chariots: black their fires roll beholding Albions house of Eternity               
Damp couch the flames beneath and silent, sick, stand shuddering
Before the Porch of sixteen pillars: weeping every one
Descended and fell down upon their knees round Albions knees,
Swearing the Oath of God! with awful voice of thunders round
Upon the hills & valleys, and the cloudy Oath roll'd far and wide

Albion is sick! said every Valley, every mournful Hill 

And every River: our brother Albion is sick to death." 

Jerusalem, Plate 44 [30], (E 193)

"And Los prayed and said. O Divine Saviour arise
Upon the Mountains of Albion as in ancient time. Behold!
The Cities of Albion seek thy face, London groans in pain
From Hill to Hill & the Thames laments along the Valleys
The little Villages of Middlesex & Surrey hunger & thirst        
The Twenty-eight Cities of Albion stretch their hands to thee:
Because of the Opressors of Albion in every City & Village:
They mock at the Labourers limbs!"
From Larry's post Church 8:
"Bear in mind that 27 is a super sinister number; Frye described it as "the cube of thee, the supreme aggravation of three". A happier constellation of 28 (a composite of the complete numbers four and seven) occurs in Jerusalem where England's cathedral cities are called the Friends of Albion. With this image Blake  recognized that in spite of all its sins the church had exercised a beneficent influence upon the course of history. Blake habitually picked one of these cities to be represented an important historical personage.

       For example Ely, the cathedral city of Cambridgeshire, stands for Milton, the greatest man produced by Cambridge. Verulam, an ancient name for Canterbury, represents Francis Bacon , one of Blake's chief devils. Professor Erdman informed us that Bath represents Rev. Richard Warner, a courageous minister who preached against war in 1804, when to do such a thing bordered on sedition. Blake's admiration for Warner led to the prominence which he gave Bath in the second chapter of Jerusalem."
 

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