First posted May 2012
Blake had reservations about creating the illustrations for Dante's Divine Comedy.
Dante's ideas of sin, punishment, and a God of vengeance were far from
the image of God Blake knew from experience. Although he often created
his illustrations with complete adherence to Dante's descriptions, as
opportunity arose Blake altered the images to convey his own ideas.
Jerusalem, Plate 22, (E 168)
One illustration which Blake seems to have taken pleasure in working on is titled Beatrice on the car, Matilda and Dante. Dante has
arrived at the river Lethe having passed through purgatory. Virgil who
has been his guide through hell and purgatory was not to cross over with
him to Eden, the Earthly Paradise, because he was a pagan. Henceforth
Dante's guide will be Beatrice who awaits him in the procession on the
far bank. The procession is composed of entities from the Book of
Revelation: the candelabra with seven candles, the four-and-twenty elders and
the Griffin drawing the car in which Beatrice rides. The Griffin which
is a combination of two animals, was used by Dante to symbolize Christ
who is of a double nature. A point of disagreement between Dante and
Blake concerns Beatrice who represents to Dante the church, which to
Blake was not the sole vehicle for salvation but a fallen flawed
institution.
The blessedness of Eden is represented in the light which radiates from the candelabra and stretches across the heavens in a rainbow. Dante is prepared to cross the river Lethe and bathe in its waters which will wash away his memories. He will cross another river also; the Eunoe whose waters will restore happy, helpful, life-giving memories to carry with him to the upper heavens.
Although Blake portrayed a positive uplifting scene, you may notice a long string of clouds surrounding much of the procession; these are the type of clouds which Blake associates with Vala who was in such opposition to Jerusalem. This is a reminder that Dante's system diverged from the truth Blake perceived.
"Jerusalem then stretchd her hand toward the Moon & spoke
Why should Punishment Weave the Veil with Iron Wheels of War
When Forgiveness might it Weave with Wings of Cherubim" Jerusalem, Plate 31 [35], (E 177)"And the Divine voice came from the Furnaces, as multitudes without
Number! the voices of the innumerable multitudes of Eternity.
And the appearance of a Man was seen in the Furnaces;
Saving those who have sinned from the punishment of the Law,
(In pity of the punisher whose state is eternal death,)
And keeping them from Sin by the mild counsels of his love."Inscriptions, On Blake's Illustrations to Dante, (E 688)"Whatever Book is for Vengeance for Sin & whatever Book is
Against the Forgiveness of Sins is not of the Father but of Satan
the Accuser & Father of Hell"  |
| British Museum Illustrations to Dante's Divine Comedy 'Beatrice on the car, Matilda and Dante' |
The blessedness of Eden is represented in the light which radiates from the candelabra and stretches across the heavens in a rainbow. Dante is prepared to cross the river Lethe and bathe in its waters which will wash away his memories. He will cross another river also; the Eunoe whose waters will restore happy, helpful, life-giving memories to carry with him to the upper heavens.
Although Blake portrayed a positive uplifting scene, you may notice a long string of clouds surrounding much of the procession; these are the type of clouds which Blake associates with Vala who was in such opposition to Jerusalem. This is a reminder that Dante's system diverged from the truth Blake perceived.
"I saw the lady who had first appeared
to me beneath the veils of the angelic
flowers look at me across the stream.
Although the veil she wore—down from her head,
which was encircled by Minerva’s leaves—
did not allow her to be seen distinctly,
to me beneath the veils of the angelic
flowers look at me across the stream.
Although the veil she wore—down from her head,
which was encircled by Minerva’s leaves—
did not allow her to be seen distinctly,
her stance still regal and disdainful, she
continued, just as one who speaks but keeps
until the end the fiercest parts of speech:
“Look here! For I am Beatrice, I am!
How were you able to ascend the mountain?
Did you not know that man is happy here?”
My lowered eyes caught sight of the clear stream,
but when I saw myself reflected there,
such shame weighed on my brow, my eyes drew back
...
He fell so far there were no other means
to lead him to salvation, except this:
to let him see the people who were lost.
For this I visited the gateway of
the dead; to him who guided him above
my prayers were offered even as I wept.
The deep design of God would have been broken
if Lethe had been crossed and he had drunk
such waters but had not discharged the debt
of penitence that’s paid when tears are shed.”...
Then, when my heart restored my outer sense,
I saw the woman whom I’d found alone,
standing above me, saying: “Hold, hold me!”
She’d plunged me, up to my throat, in the river,
and, drawing me behind her, she now crossed,
light as a gondola, along the surface.
When I was near the blessed shore, I heard
“Asperges me” so sweetly sung that I
cannot remember or, much less, transcribe it.
The lovely woman opened wide her arms;
she clasped my head, and then she thrust me under
to that point where I had to swallow water.
That done, she drew me out and led me, bathed,
into the dance of the four lovely women;
and each one placed her arm above my head..."
continued, just as one who speaks but keeps
until the end the fiercest parts of speech:
“Look here! For I am Beatrice, I am!
How were you able to ascend the mountain?
Did you not know that man is happy here?”
My lowered eyes caught sight of the clear stream,
but when I saw myself reflected there,
such shame weighed on my brow, my eyes drew back
...
He fell so far there were no other means
to lead him to salvation, except this:
to let him see the people who were lost.
For this I visited the gateway of
the dead; to him who guided him above
my prayers were offered even as I wept.
The deep design of God would have been broken
if Lethe had been crossed and he had drunk
such waters but had not discharged the debt
of penitence that’s paid when tears are shed.”...
Then, when my heart restored my outer sense,
I saw the woman whom I’d found alone,
standing above me, saying: “Hold, hold me!”
She’d plunged me, up to my throat, in the river,
and, drawing me behind her, she now crossed,
light as a gondola, along the surface.
When I was near the blessed shore, I heard
“Asperges me” so sweetly sung that I
cannot remember or, much less, transcribe it.
The lovely woman opened wide her arms;
she clasped my head, and then she thrust me under
to that point where I had to swallow water.
That done, she drew me out and led me, bathed,
into the dance of the four lovely women;
and each one placed her arm above my head..."
No comments:
Post a Comment